Tyler Durden
ONE BY ONE (2014) Rik Mayall’s last major UK feature film.

This production was Rik Mayall’s last major UK feature film. When the men behind the curtain run out of enemies, you’re next… A cafe worker is violently jolted from her day-to-day existence when offered the startling revelation that this world may be on the brink of destruction, revolution, or both. Director: Diane Jessie Miller Writer: Diane Jessie Miller…
Schwarz Gruppe & Stakeholder capitalism living, working and dying for a corporation

The WEF’s vision of our Nation involves stakeholder capitalism, individuals are no longer seen as People or even as citizens they are merely employees or consumers, and as lifelong participants in a corporate ecosystem. In this model, every aspect of life, living, working, and even dying, becomes tied to the interests of powerful corporations
If I Could Just Stop Loving You: Anti-Love Biotechnology and the Ethics of a Chemical Breakup

The idea of “drugging the love out of you” is far from new. Aldous Huxley’s Brave New World imagined a future society in which emotional bonds are chemically controlled to ensure social harmony and personal stability, raising timeless questions about autonomy, manipulation, and well-being.
Watch 2005 V for Vendetta Through a New Lens: From Agent Smith’s Control to V’s Rebellion

If you read between the lines, the time gap between 1984 and V for Vendetta opens the door to a chilling interpretation: Winston Smith, after being thoroughly broken and “re-educated” by the Party, could have risen through the ranks to eventually become the very kind of authoritarian leader he once feared, someone like Chancellor Sutler.
Data is the New Oil

You have probably heard the quip: “data is the new oil.” What does that mean, and what does it imply? In this episode of New Discourses Bullets, host James Lindsay walks you through the concept, making it clear that data, like oil and gold before it, are not just extremely valuable commodities but can also…
Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb (1964)

Halloween celebrates fear, absurdity, and the macabre, and Dr. Strangelove is all three rolled into one. Instead of ghosts or slashers, it gives us the ultimate horror: the total annihilation of humanity… and we laugh about it. That’s pure existential terror disguised as humour, exactly the kind of dark irony that Halloween thrives on.
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The Elephant has Become the Room – Irish Excess Deaths

By WakeUpéiRe… The most watched posts on our website are from the ordinary everyday people who aren’t camera trained, but care enough to speak out. It resonates on a completely different frequency. YouTube doesn’t allow the counts go up on this type of heart based commentary. Dubliner Peadar, who has volunteered with WakeUpéiRe on many…





























